InJapaneseaesthetics,Wabi-Sabidescribesacontinuouscycleofbecomingandpassingaway.Temporalityandageare
inherentineveryobjectandcreatureand,dependingonone’soutlook,maytranscendtoinfinity.Howcanthisbeimagined?Whatgoesbeyondit?ThefilmmakerChristophSchaubstartshisverypersonaljourneythroughtimeandspaceinhischildhood,whenhisfascinationwithsacredbuildingsbegan–andhiswonderatbeginningsandends.Architecturehelpsseparatethefiniteandtheinfinite.Itoffersprotectionfromwhatisboundless,atthesametimecreatingasenseofvastness,thenarratorclaims.Togetherwitharchitectsandartistsheexploresthemagicofsacredspaces,definedhereasfarmorethanchurchbuildings.TheartistJamesTurrell,known,amongotherthings,forhis“Skyspaces”,reflectsonwhoownsspirituality–fundamentalforthisfilmwhichfollows“spirituallife”inarchitectureandthefinearts,butalsoinnature,andliterallyliftsitoverandabovethelimitsofthinking.Aslightlyfloatingcameraimmersesusinother-worldly,somnambulisticimages,takesusonasensualandsensingjourneythroughvastspaces,andguidesoureyetowardstheinfinityofthestarryskyandthedepthsoftheocean.Pastandpresent,primevaltimesandlightyears,it’sallthere.
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